Sunday, March 23, 2008

Horror With A Wide Angle Lens!

One third of the people believe in ghosts, and many of those claim they've seen one.

A recent poll conducted by CNN revealed that one third of the people believed in ghosts, and that many of those claim they've seen one. At the same time, interest in spirit photography - events in which images of the dead are caught on film - has never been higher.
The phenomenon is as old as photography itself, dating back to the 1860s. Spirit photography has been riddled with controversy and fraud, yet many believe it to be one of the few methods of capturing ghostly phenomenon that approaches scientific methodology. Magazines devoted to spirit photography proliferate throughout Asia, and new internet sites devoted to the subject spring up every day. New York's Metropolitan Museum of Art recently hosted an exhibit devoted to spirit photography, called "The Perfect Medium: Photography and the Occult."
This intriguing and foreboding subject is a key element of the psychological thriller "Shutter," from executive producers of "The Grudge" and "The Ring." In "Shutter," a newly married couple discovers disturbing, ghostly images in photographs they develop after a tragic accident. Fearing the manifestations may be connected, they investigate, only to learn that some mysteries are better left unsolved - and that a past mistake can lead to an eternity of vengeance.

Read more about this thriller and photographer Ben (Joshua Jackson) and his new wife Jane (Rachael Taylor), at mixmeansvariety.com/

and Click Here to see the Shutter Movie Trailer


Picture of the day:

Flowers - Prince's PlumeFlowers and Plants:
Prince's Plume - a great but poisenous Show


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Saturday, March 22, 2008

2008 National Magazine Award Finalists Announced

This year's National Magazine Award finalists in the photography, photojournalism and photo portfolio categories include many of the usual suspects, as well as a few surprises.

Photography finalists include Gourmet, GQ, Martha Stewart Living, National Geographic, New York Magazine and W. In the photojournalism category, Aperture, Mother Jones, National Geographic, The New Yorker and the literary journal Virginia Quarterly Review received nods. Photo portfolio finalists include New York Magazine, Newsweek, Vanity Fair and T: The New York Times Style Magazine, which received two nominations in the category. To see which specific issues and images earned the mags their nominations, click here.

via Photo District News

Picture of the day:

Scenery and Sights - Abraham Lincoln Calton Cemetery Edinburgh ScotlandScenery and Sights
Sculpture of Abraham Lincoln at one of the thombstones in Calton Cemetery Edinburgh, Scotland



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Thursday, March 20, 2008

Canon Powershot G9: Review

The G-series has been at the pinnacle of Canon's digital compact camera range for almost as long as there has been a Canon digital compact camera range. There have been a few autumns where the latest G-model did not surface, fuelling fears that Canon had decided to leave the pro-grade compact user left out in the cold. Each time, Canon answers this with a bigger and better model. Which is why the Canon PowerShot G9 is the best compact camera Canon currently makes. It also makes a very strong case for being the best compact camera anyone currently makes.
Specs
Megapixels 12.1
Screen 3" LCD (230,000 pixels) + OVF
Zoom 6x optical zoom (35-210mm equivalent), 4x digital zoom
Picture Modes
Auto, Program, Aperture Priority, Shutter Priority, Manual, Custom user modes (x2), Stitch Assist, Movie mode, 16 scene modes (portrait, landscape, night scene, sports, night snapshot, kids & pets, indoor, foliage, snow, beach, fireworks, aquarium, underwater, ISO3200, colour accent and colour swap)
Stabilisation Yes - lens-based
Sensitivity ISO80-1600
White balance
Auto, Daylight, Cloudy, Tungsten, Fluorescent (x2), Flash, Underwater, Custom (x2)
Storage SD No internal memory
Battery 720mAh Lithium Ion pack NB-2 (CIPA rated 240 shots)
Other / Key features
RAW facilityAuto ISO shift Hot shoe for Canon speedlights and wireless flash systemFace DetectionOptional wide angle and teleconvertersCanon and Pict-Bridge direct printSound memo recording

The full review at thinkcamera.com is a very interesting read.

Picture of the day:

Seasons - Frost-covered BlackberriesSeasons
Hoar Frost covered Blackberries


(is full)

Wednesday, March 19, 2008

Samsung snaps at heels of camera giants Canon, Nikon

Japanese camera makers such as Canon and Nikon have long ruled the $22-billion digital camera market, but South Korean upstart Samsung Techwin is making a serious bid to build its brand to take on the big guns.
The market for digital cameras -- particularly high-end models -- is booming as prices have fallen, and as it becomes easier to store large numbers of photos on a computer or upload them to sharing Websites like Flickr and edit images through programms such as Google's Picasa.
Japan's camera makers, including Canon Inc, Sony Corp T and Olympus Corp, control 70 percent of the global digital camera market, which research firm IDC expects to have grown 15 percent in 2007 and expand 11 percent this year.
"Japanese camera makers don't really care much about overseas suppliers. But one company they do care about is Samsung Techwin," Techno Systems Research analyst Akiko Sato said.
Samsung Techwin, a quarter-owned by Samsung Electronics, more than doubled its digital camera market share to 7.8 percent in 2006, making itself the fifth-largest digital camera maker behind Canon, Sony, Eastman Kodak Co and Olympus by sales, according to IDC.
Samsung Techwin aims to boost its digital camera sales by 46 percent to 17.5 million units this year and become the world's No.1 digital camera maker by 2010.
"Samsung Techwin's distribution network is set to increase from 70 retailers in 2007 to 150 networks in 2008. It will get a powerful boost from Samsung Electronics' retail network and brand power," Prudential Investment & Securities analyst Kim Uno said.
Japanese rivals have every reason to take heed, having seen Samsung Electronics zip past then-mighty Japanese memory chip makers in the 1990s and flat TV makers earlier this decade.
"The company's priority now is to establish itself in compact cameras, a sector where pricing is key," said Prudential's Kim. "Then it hopes to move into the DSLR category, where brand power matters more."
Digital single lens reflex (DSLR) cameras -- advanced models with interchangeable lenses -- are all the rage, as what used to be available only to professional photographers is now cheap enough for enthusiasts to buy.
Canon and Nikon Corp held a combined share of 80 percent of this market, which is growing more than twice as fast as the overall digital camera market, according to IDC.
Japanese camera makers virtually monopolised the DSLR camera market in 2006, with Samsung Techwin representing only 0.8 percent of the market, according to IDC.
It does not appear to have made much headway last year as Techno Systems' production data for 2007 shows Samsung Techwin accounts for 0.6 percent of global DSLR camera production.
Limited presence in the high-end market is reflected in Samsung Techwin's profitability. Operating margins at Samsung Techwin's digital camera business are estimated at 4.4 percent in 2008 and 5 percent in 2009, according to Prudential Investment & Securities.
Analysts generally estimate operating margins of around 20 percent at a DSLR camera business, compared with single-digit margins at compact digital camera operations.
COMPACT BATTLE
But where Samsung, in cooperation with Pentax, can really make inroads is by competing on price, firstly in the compact market.
"The battle over rising megapixel count is essentially over," said Kim Do-han, an analyst at Samsung Securities. "Samsung Techwin hopes to move the battle to the pricing arena."
And Japanese makers feel the pressure.
"It is fundamental for us to maintain brand appeal and offer value-added products," said Keiichi Ishizuka, an executive in Sony's digital camera division. "But I'm afraid we would not be able to survive competition if we don't really improve cost competitiveness."
For now Japanese manufacturers still hold a clear technological advantage over Samsung Techwin and other foreign brands in major digital camera technologies, analysts say.
"Digital cameras are not typical digital electronics. You have to have expertise not only in electronics, but in optics and mechatronics, too, to put together competitive products," Mizuho Securities analyst Ryosuke Katsura said.
Analysts say it may take a decade or so before Samsung Techwin becomes a player in the DSLR market. But they also caution that Samsung Techwin is here to stay.
"The problem with DLSR is that the market is intrinsically limited by portability issues," said Samsung Securities' Kim.
"Samsung Techwin is challenging its rivals with cheaper price, while also striving to improve profitability by offering higher-end products within the compact sector. They should be able to raise their sales very rapidly." (Editing by Louise Heavens)

Credit: Kiyoshi Takenaka and Marie-France Han
eetimes.com

Copyright 2008 Reuters. Click for Restrictions

Picture of the day:

Scenery and Sights - Thor's Hammer Bryce Canyon, UtahScenery and Sights
Thor's Hammer - Famous Hoodoo in Bryce Canyon, Utah


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Tuesday, March 18, 2008

PENTAX Announces Optio V20

PENTAX Imaging Company has announced the PENTAX Optio V20 compact digital camera with a 5X zoom lens, 8.0 megapixels, and a generous 3.0 inch LCD monitor.

pentaximaging.com

Ultra-slim and stylish in design, this latest PENTAX compact digital camera makes it easy to capture and to view images.
Three innovative features on the Optio V20 help users optimize portrait photographs. A Face Recognition function automatically detects and focuses on faces, then sets the optimum exposure. Smile Capture detects the key facial expression of happy people and releases the shutter automatically. Blink Detection reports to the user whether any subjects closed their eyes in an image, so that the shot may be recaptured if necessary. Additional features include Auto-tracking AF for continuously focusing on a moving subject, 52MB of built-in memory, and an Auto-Macro mode that allows close-up photography as near as 4 inches (10 cm) without changing the normal focusing mode.
The PENTAX Optio V20 will ship in May 2008 for US $279.95.
PENTAX Imaging Company is an innovative leader in the production of digital SLR and compact cameras, lenses, flash units, binoculars, scopes, eyepieces and mobile printers and scanners. For more than 80 years, PENTAX technology has developed durable, reliable products that meet the needs of consumers and businesses. With headquarters in Golden, Colorado, PENTAX Imaging Company is a division of PENTAX of America, Inc.


PENTAX Imaging CompanyMedia Contact: Michelle Martin, 303-728-0224 michelle.martin@pentax.com
or
Consumer Product Information:1-800-877-0155
pentaxinfo@pentax.com
http://www.pentaximaging.com/

Photo of the day:

Domesticated Animals - Portrait of a Border CollieDomesticated Animals
Portrait of an alert Border Collie


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Monday, March 17, 2008

Adobe Yanks Lightroom 1.4 & Camera Raw 4.4

The Lightroom 1.4 update for Mac and Windows has been temporarily removed from the Adobe.com web site. Those Lightroom users who have installed Lightroom 1.4 should uninstall the update and install Lightroom 1.3.1.(Mac, Win) until a further update can be provided.
For those not in immediate need of the updated camera support available in Camera Raw 4.4 or the DNG 4.4 Converter, it’s recommended that you also continue working with the 4.3.1 versions. (Mac, Win) This decision is based on the following errors that have been discovered with the recent update:
EXIF Time Stamp Error: There is an error in the EXIF time stamp update technology that causes Lightroom to believe that the files are out of sync with the correct time stamp as displayed in Lightroom. Any ensuing metadata update will attempt to incorrectly modify the EXIF time stamp in the original raw file itself. This is the only metadata field that Lightroom will write to an original proprietary raw file. This error will not impact the integrity of your image data. The Camera Raw plug-in also will incorrectly change the EXIF time stamp in files converted by the plug-in. The information written to the XMP sidecar files or XMP metadata in the converted files will remain correct.
DNG Conversion Error(Windows Only): With the latest version of the Lightroom 1.4 and Camera Raw 4.4 applications, Adobe has included technology to verify that the image data in a DNG file is unchanged from when it was originally converted to DNG. Unfortunately, when converting to DNG using Lightroom 1.4 on Windows, the application will write an incorrect verification tag to describe the image data. When Lightroom attempts to work with those files in the Develop module, the application reads that incorrect tag, believes that there is something wrong with the raw data and will present an error. Rest assured, there is nothing wrong with the integrity of your image data or metadata. For those that have already converted their files to DNG using Lightroom 1.4 (Windows only) we recommend using the DNG 4.3.1 converter to convert the DNG files you’ve created with Lightroom 1.4.
Olympus Conversion Error: There is an error in converting Olympus JPEG files to other formats in Lightroom 1.4 and the Camera Raw 4.4 plug-in.To uninstall Lightroom 1.4 please see the instructions per your platform:Mac: Delete the Lightroom application in the Application folder(Mac) and Delete the following file: Library/Receipts/Adobe Photoshop Lightroom.pkgWindows: Choose the Uninstall Lightroom 1.4 menu item from the Windows start menu. The Add/Remove Program utility on Windows will also achieve the same result.
To replace the Camera Raw 4.4 plug-in with the 4.3.1 plug-in, follow the manual installation instructions provided on the download page linked above.
Additional information regarding a further update (expected to be LR 1.4.1 and CR 4.4.1) will be posted to the Lightroom Journal blog when it becomes available.

Source: http://photoshopnews.com/2008/03/16/adobe-yanks-lightroom-14-camera-raw-44/

More information on v1.4 direct from manager of the Adobe Lightroom team.
http://blogs.adobe.com/lightroomjournal/2008/03/important_lightroom_14_and_cam.html

Photo of the day:

Arts and Crafts - Stained Glass Window Saint Giles Cathedral Edinburgh ScotlandArt and Crafts:
Stained Glass Window Saint Giles Cathedral Edinburgh Scotland


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Sunday, March 16, 2008

Portsmouth in high-speed

For Tom Clark, the bustling city of Portsmouth is seen best through the eyes of a camera lens.
Snapping frame after frame, the 29-year-old Portsmouth resident captures a variety of moments that become little more than the background noise of everyday life in the Seacoast.

The Route 1 bridge ascending and descending.
The hustle and bustle of passers-by in Market Square.
The destruction and resurrection of local businesses.
Through a process of piecing together hundreds of still-frames, Clark's documentary, "Drop-Frame," uses a time-lapse effect — making the world fly by at dizzying speeds.
Time-lapse photography involves capturing a scene by taking pictures at set intervals, and playing them together so that they give the scene a sense of accelerated motion. The technique is often used to show action in scenes that move imperceptibly slowly, such as the budding of a flower or a sunset.
Using only a digital camera, Clark would find areas of interest and wait for the opportune moment to click the shutter.
"In some cases, I would sit and wait for something interesting to happen," Clark said. "And other times, I would be taking pictures as fast as the camera could go."
For each scene, Clark estimates that he took between 100 and 300 frames.
"The total amount of time I actually spent on the documentary is incalculable," Clark said. "Even when I was on vacation, I'd be thinking and planning what I was going to do next."
After taking the photos, Clark would return to his studio and modify the flow of the frames. Depending on the mood and environment of the location, he would make the decision to slow down or speed up the scene.
While embedded in Portsmouth's hotspots, Clark would sometimes stumble across unexpected photo opportunities.
Clark recalls accidentally discovering a bicycle race, which he only became aware of by being in the right place at the right time.
"Sometimes just taking photos of scenery would lead to other unexpected events, which became completely new sequences in the film," Clark said.
For some scenes, such as the renovation of Portsmouth's North Church, the documentarian would force himself to visit the location every day in the interest of completeness.
In foul weather or fair, Clark would sit outside with his camera, waiting for an interesting shot.
"It takes a lot of discipline to go there every day," Clark said. "I would get up on weekends and just say, 'well, I have to do this again.'

Growing up in the Seacoast area, Clark began to notice that the town he loved was changing rapidly. Businesses he had grown up with, such as Eagle Photo and Yoken's, were being demolished.
Using the degree in film production he received at Keene State College, Clark set out with goal of capturing the town he remembered from his childhood before it changed completely.
Over the course of three years, Clark took thousands of pictures, using time after his day job and utilizing his own equipment.
"I am very pleased with the way it came out," Clark said. "It was always going to bother me if it didn't come out right, so I didn't set any due-date. I could really take my time with it."
Choosing to leave out any voice-over, the film is set entirely to music.
"I chose the absence of dialogue because I wanted to remain unbiased," Clark said. "I didn't accidentally want to include anything negative. The idea was to keep opinions out of it, and let the viewer decide how they felt about it."
Although he is not currently working on any other films, Clark is open to the idea of creating a similar documentary based on another city.
Clark has already received a variety of positive responses from local residents.
"Everyone that has seen it, loves it," Clark said. "People start wondering at the end of a sequence what could be coming next."

credits: Dan Lorenz
seacoastonline.com/

For more about Portsmouth visit

DROP-FRAME
"Drop-Frame: A Documentary of Life in Portsmouth" is available at the Water Monkey, 33 Vaughan Mall, Portsmouth. For information, visit http://www.drop-frame.net/.

ANOTHER DOC
The Portsmouth Historical Society has created a new 13-minute film, titled "Welcome to Historic Portsmouth." Tracing events from Colonial times to today, the film showcases many important historical highlights. The film can be viewed online at www.cityofportsmouth.com/economic/phs.htm

Photo of the day:

Seasons - eerie landscape covered in soft rimeSeasons:
Covered with soft rime - Eerie landscape near the Munich, Germany Airport


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Saturday, March 15, 2008

International Year of the Potato

Welcome to the International Year of the Potato!

Among many other things, 2008 is the International Year of the Potato (IYP), proclaimed by the United Nations General Assembly, recalling resolution 4/2005 of the Conference of the Food and Agriculture Organization of the United Nations (FAO), adopted on 25 November 2005.

More about that at:
International Year of the Potato, FAO
Potato Science for the Poor - Challenges for the New Millenium, CIP
T'ikapapa, INCOPA, CIP
The INCOPA project, CIP
The Papa Andina Initiavive, CIP
CIP - International Potato Centre
FAO - Food and Agriculture Organization of the United Nations, UN

This is why the United Nations agricultural agency has organised an international photography contest on the role of the potato in the fight against hunger and poverty to commemorate the International Year dedicated to the tuber.
Despite being called the food of the poor, potato is the planet's fourth largest food source.
The contest, titled Focus on a global food, invites photographers to capture the spirit of the International Year in images which illustrate potato biodiversity, cultivation, processing, trade, marketing, consumption and utilization.
"Photographers who explore the world of the potato will find plenty of subject matter," said NeBambi Lutaladio, the coordinator of the International Year, which aims to raise global awareness of the potato's potential to help countries achieve the Millennium Development Goals, a set of targets for reducing extreme poverty and other global ills by the year 2015.

"It is grown in more than 100 countries, from the Andes and China's Yunnan plateau to the subtropical lowlands of India, on the plains of northern Europe and the steppes of the Ukraine," Lutaladio noted.
Sponsored by Nikon, the contest has separate categories for professional and amateur photographers, and will accept single digital images or 'photo stories' of four to eight related images, in either black-and-white or colour.
The winning photographs will be chosen by a selection panel that includes some of the world's leading professionals in the field of photography. Winners will be awarded cash prizes totaling about USD 11,000 as well as Nikon cameras. The deadline for entries is September 1 2008

credits Deccan Herald

Let's go for it!

Photo of the day:
Scenery and Sights - Window at The Arches National Park, UtahDramatic Scenery and Sights:
One of the many windows at The Arches National Park, Utah



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Friday, March 14, 2008

Kubota RAW Workflow for Lightroom® Wins Professional Photographer 2008 Hot One Award

Time-saving DVD tutorial helps photographers master Adobe® Photoshop® Lightroom
Las Vegas, NV - WPPI Booth #723 (March 13, 2008) - Kubota Image Tools is pleased to announce that the new Kubota RAW Workflow for Lightroom tutorial, created by professional photographer and instructor Kevin Kubota, has been awarded a 2008 Hot One Award from Professional Photographer magazine in the educational DVD/CD category.Kubota RAW Workflow for Lightroom is the latest time-saving tutorial from Kevin Kubota-a master of digital photography workflows. This tutorial is available for $99 as an interactive program on DVD at http://www.kubotaimagetools.com/, to help photographers learn how to efficiently use Adobe Photoshop Lightroom. As a special bonus, it also includes over 40 Lightroom Presets that Kevin has created to speed up the workflow even more.
Kevin Kubota's comprehensive, easy-to-follow teaching technique streamlines the process of working with RAW files in Lightroom. Kubota RAW Workflow for Lightroom takes the user step-by-step from proper organization, to efficient editing, to quickly adjusting the images, to enhancing, to final presentation. Kevin shares his insider tricks that have made his workflow tutorials and workshops an overwhelming success. More than just another Lightroom "Manual", this interactive instructional is based on a proven workflow system used daily by busy digital studios.
"Adobe Photoshop Lightroom is a powerful program, with many great, but less than obvious features. While there are other instructional materials on Lightroom, they don't really focus on how it's best used in a real-world production environment or reveal the time-saving shortcuts," said Kevin Kubota, Idea Man of Kubota Image Tools. "We created this tutorial, derived from our live Lightroom workshops, to help photographers make the most of the features they really need, and to understand the ‘big picture' of the entire workflow system and this Hot One Award confirms that we have accomplished what we set out to do." The Professional Photographer Hot One Awards honor the photography industry's best new products for professional application. The mission of the awards is to provide Professional Photographer magazine's readership with a compendium of the newest, hottest, most innovative products available. Each year, Professional Photographer editors oversee a submission and judging process that calls on companies in all subfields of the photography industry. For the 2008 awards, nearly 150 companies competed in 58 categories. There were more than 220 total products entered in the contest, making this the biggest Hot One Awards ever.
About Kubota Image Tools
Kubota Image Tools grew from the digital experience of Kevin Kubota who began pioneering the field of completely digital wedding photography in the 1990s. As one of the first photographers to master digital imaging, Kevin became inspired to share his experience and natural teaching ability with other photographers by founding the original Digital Photography Bootcamp®, a five-day intensive workshop which consistently sells out. He has successfully trained thousands of photographers to make the digital transition and continuously empowers existing digital photographers with new, effective workflow ideas and outstanding Photoshop® techniques.
Kevin Kubota was recently named one of the "Top 10 Wedding Photographers in the World" by American Photo Magazine. His wedding, portrait and commercial photography website is http://www.kubotaphotodesign.com/.
In addition to Digital Photography Bootcamp, Kevin Kubota teaches one-day and two-day programs for digital photographers on a variety of topics that he presents in different regions of the country. He also teaches fine-art digital photography workshops every year in exotic locations such as Italy. Kevin is also a highly sought after speaker at international, national and regional conventions including Imaging USA, Photo Imaging & Design Expo, and WPPI; and photography schools including MARS, NEIPP, and Imaging Workshops of Colorado.
Kevin is also the author of the book Digital Photography Boot Camp: A Step-by-Step Guide for Professionals published by Amherst Media. Through his website, http://www.kubotaimagetools.com/, Kevin sells training products and Action Paks for Photoshop®, and, through his ever evolving Forum, provides tips and tricks on all things digital.
credits: cameratown.com/

Photo of the day:
Recreation and Sports - Steer Wrestling at the RodeoRecreation and Sports:
Steer Wrestling at the annual Rodeo in Poway, CA


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Thursday, March 13, 2008

Concord Camera Deploys ExaGrid Disk-Based Backup System

Today at earthtimes.org

ExaGrid Systems, Inc. (http://www.exagrid.com), the leader in cost-effective and scalable disk-based backup solutions with byte-level data de-duplication, today announced that Concord Camera has chosen the ExaGrid system to achieve faster, more reliable backups and restores.
Based in Hollywood, Florida, Concord Camera Corp. designs, develops, manufactures and markets on a worldwide basis, popularly priced, easy-to-use image capture products. Concord distributes image capture solutions under such trademarks as CONCORD®, EASYSHOT® JENOPTIK® and POLAROID®, and the company’s award-winning products include digital cameras (VGA to 8Megapixel), Single Use and 35mm traditional film cameras, and emerging multimedia devices, such as digital video camcorders.
“The ExaGrid system was more cost-effective than other solutions, and we were impressed with ExaGrid’s post-process approach to data de-duplication,” said Jose Lopez, senior IT network administrator for Concord Camera. “The ExaGrid system quickly lands a full backup onto the system and then starts performing data de-duplication; while other products perform data de-duplication inline before the data is fully backed up. We believed that the ExaGrid solution would provide higher performance, and we’ve been very happy.”
ExaGrid’s data de-duplication technology stores changes from backup to backup instead of storing full file copies. This unique approach reduces the disk space required by 10:1 to 50:1 or more, delivering unparalleled cost savings and performance. ExaGrid delivers extremely fast backup performance because data is written directly to disk, and data de-duplication is performed post-process, after the data is stored.
The ExaGrid system works alongside Concord’s backup application, CA® ARCserve Backup, and is located at Concord’s headquarters in Hollywood. Since installing ExaGrid, Concord’s full backup completion times have been significantly reduced and restores are also faster.
“Restore speed is critical to us for disaster recovery planning and because we perform restores on a routine basis,” said Lopez. “Restoring data from tape was a time consuming process, however restoring even our largest files from the ExaGrid system takes just minutes.”
“ExaGrid’s proven approach to high-performance disk-based backup with data de-duplication provides backup and recovery that’s quick, painless and cost-effective,” said Bill Andrews, president and CEO of ExaGrid. “And, by reducing or eliminating tape, our customers’ backup processes are faster and more reliable, making IT departments more efficient while providing the highest levels of data protection.”
About ExaGrid Systems, Inc.
Located in Westborough, Massachusetts, ExaGrid is the leader in cost-effective disk-based backup solutions. A highly scalable system that works with existing backup applications, the ExaGrid system is ideal for companies looking to quickly eliminate the hassles of tape backup while reducing their existing backup windows. ExaGrid’s innovative approach minimizes the amount of data to be stored by providing standard data compression for the most recent backups along with byte-level data de-duplication technology for all previous backups. Customers can deploy the ExaGrid system at a primary site and at a second site to supplement or eliminate offsite tapes with a live data repository or for disaster recovery.

For more information, contact ExaGrid at 800-868-6985 or visit us at www.exagrid.com.
ExaGrid is a registered trademark of ExaGrid Systems, Inc. All other trademarks are the property of their respective holders.

Schwartz Communications
Davida Dinerman or Nicole Slein, 781-684-0770
exagrid@schwartz-pr.com
or
ExaGrid Systems, Inc.Wayne St. Amand, 508-898-2872 ext. 286
wstamand@exagrid.com

Photo of the day:

Holidays-Events: Stained Glass Window Saint Giles Cathedral EdinburghHolidays and Events - Easter:
Saint Giles Cathedral Edinburg, Scotland
Last Supper depicted in a Stained Glas Window



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Wednesday, March 12, 2008

Parents fight use of kids' images on adult Web sites SoCal parents fight use of kids' images on adult Internet sites

Online photos of water polo player spark anti-exploitation movement


SACRAMENTO — An Orange County mother was shocked last fall to discover that someone had photographed her 13-year-old son in his tight-fitting swimsuit at a high school water polo meet and posted the image on an adult Web site that invited lewd comments.
Scouring the Internet, parents soon found other such photos, hundreds of them. But their horror turned to disbelief upon learning that police could do little to stop the practice.
The Orange County parents banded together to raise a ruckus that has launched a law enforcement review, prompted legislation to crack down on the practice and prodded debate pitting constitutional rights against children's privacy.
"It's disgusting, because they're victimizing kids," said Joan Gould, a spokeswoman for the group, including the mother whose discovery sparked the outcry. "It's demoralizing to young kids."
California's penal code does not specifically ban such photography, which is protected by free-speech rights, since the photos themselves are not lewd and are taken at school athletic events open to the public.
"I think the most frustrating thing for all of the parents is finding out that it's legal," said Gould, a national water polo spokeswoman, who helped the parents investigate the incident.
The uproar is part of a much broader issue, the marriage of Internet and digital camera technology that allows photographs to be transmitted worldwide at the push of a button.
Lena Smyth, co-founder of Mothers Against Sexual Predators, said there are numerous variations on the same exploitative theme: titillating photos of children sent from cell phone to cell phone; young girls' photos posted and rated on a pedophile's site; self-titled "art" Web sites that charge a monthly fee for access to children's photos.
"There are certain areas where the law has not kept up with technology," she said.
The power of the Internet to create an overnight sensation, without permission, was demonstrated last year when sports blogs and other Web sites posted photos of Allison Stokke, a high school pole-vaulter, competing in a standard spandex uniform with bare midriff. A Google search of her name now generates 334,000 results.
Attorney Allan Stokke, Allison Stokke's father, said she was irritated, and "there may have been crude people saying crude things." But, he added, "I don't see any legal way to stop that sort of thing."
The angry Orange County parents used the same Internet that displayed their children's photos to mobilize opposition to exploitation.
After discovering the image of her 13-year-old son on an adult-oriented site, the Orange County mother — who Gould said requested anonymity to protect her child's privacy — contacted other parents. The group sought help from Gould, because she runs a national Web site for water polo fans.
Upset families hit the Internet, discovering dozens of Southern California teen athletes — perhaps 500 athletes nationwide — on more than a half-dozen Web sites catering to homosexual adults, Gould said.
The parents' group posted blog entries on Gould's Web site and contacted schools and police agencies, to no avail, Gould said.
To grab attention, the families agreed to use Gould's Web site to post links to the offensive photos, giving viewers a graphic glimpse.
"They hit the roof," Gould said.
Most offensive of all, perhaps, were posted comments beside the photos of teen athletes, not only from water polo but swimming, wrestling, cycling and other sports using tight-fitting uniforms, Gould said.
"The comments tell what people would like to do with these kids," she said.
The Orange County District Attorney's Office is reviewing state law and circumstances surrounding the Southern California case, said spokeswoman Farrah Emami, who declined further comment.
Gould said two photographers believed to have taken many of the Orange County water polo images were identified through credit lines on adult Web sites. Neither has been charged with wrongdoing.
Civil courts, rather than criminal proceedings, might prove more fruitful for families.
Margaret Johns, a law professor at the University of California, Davis, said people who post such pictures on adult Web sites could be sued for intentional infliction of emotional distress or, possibly, violating privacy for monetary gain.
Winning would be no slam-dunk, according to Johns, who said that a distress-based suit would have to show conduct that was extreme, outrageous, highly offensive and caused severe emotional distress.
"Those are tough requirements. ... but I think that publishing a kid's picture on an adult Web site is beyond all bounds of decency, or at least a jury could think so," Johns said.
La Donna Verloop, mother of a water polo player from Santa Ana whose image was not displayed, said the scandal is embarrassing and many of the kids just "want it to go away."
"It makes you sick to your stomach that people would do those kind of things," Verloop said.
A local newspaper story on the Orange County photos prompted a similar reaction from Assemblyman Cameron Smyth. His wife is Lena Smyth, co-founder of Mothers Against Sexual Predators.
He has proposed Assembly Bill 2104 to outlaw the posting of a minor's photo, without consent, on a Web site containing obscene matter. Violators could be jailed for one year and fined $5,000.
Calvin Massey, a professor of constitutional law at UC Hastings College of the Law, has not read AB 2104 but said its approach might well survive legal challenge, because it does not restrict access or photography at school events.
Government cannot simply bar speech it finds offensive, Massey said, but "I think the depiction of minors in a context in which it's pandering to those who are interested in child pornography is an adequate justification."
Even if signed into law, however, enforcement could be difficult.
Adult Internet sites can be based anywhere in the world, photographers often aren't known, and images might have been stolen or exchanged hands repeatedly before posting.
"The intent, I think, is worthwhile," Los Angeles Sheriff's Sgt. Wayne Bilowit said of AB 2104.
"But I don't know how it plays out in the real world," he said.

Credits: Jim Sanders, McCLATCHY NEWSPAPERS and insidebayarea.com



My comment: Google and all other search engines do have a responsibility! If search engines don't do it by themselves, then they should be forced by law to remove all of these and similar sites from their search results, and they should by law be forced to prevent that new sites of this kind get listed.

Photo of the day:

Seasons: Frozen TreeSeasons:
Frozen Landscape - Hoar Frost covered Tree at the Munich, Germany airport



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Tuesday, March 11, 2008

Watch the Winners: NPPA Best of Photography Winners

Daily Interviews With the Judges Now Showing at NewsUJoin Al Tompkins in a daily Webcast to get an inside look at what the judges are saying about this year's competition. The live interviews are at noon, Eastern time, and each day's conversation will be archived and available for replay viewing. Al and company will discuss what impressed the judges, the ethical issues that arise and how the backpack journalist trend is affecting photojournalism.By the end of the week, you'll have a collection of interviews you can use as training sessions for yourself, for your staff and for your classroom.
Register now at www.newsu.org/NPPAbroadcast08.
And see the judges choice photography at Poynter Online


Photo of the day:
Scenery and Sights: The Hunter hoodoo Bryce Canyon National Park Agua CanyonScenery and Sights:
The Hunter - Agua Canyon
one of Bryce Canyon's famous Hodoos



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Monday, March 10, 2008

ExpressDigital Expands Darkroom Software

ExpressDigital has announced the next generation of its powerful workflow software,
Darkroom v8.9, designed to help photographers make more money in their business.
These new features are said to reflect the ever-changing photography landscape,
including fast digital output, enhanced wireless support, advanced greenscreen
and more. Darkroom v8.9 cuts photographer screen time by streamlining new digital
delivery options into an intuitive wizard system that allows digital files to
be as easy to sell as the print. Darkroom photographers can quickly save photos,
at a user-set resolution, to a CD, DVD, or memory card. Not only can Darkroom
users create digital photo products for their customer, photographers can create
interactive slideshows as either a product or sales pitch. The slideshows are
distributed by CD/DVD, email or an online posting. Photographers can also access
the tools to make products, such as custom photo albums, with the fully integrated
PDF printing feature. This universal file format allows photographers to submit
a custom photo book project to their favorite professional printing lab.

Darkroom v8.9 took the recent advances in wireless technology to a new level with
its integrated internal FTP server. This finely tuned system makes using a wireless
camera easier than ever before. With its integrated FTP server, photographers
can expect quick setup and seamless support. Photographers who prefer to use a
Hotfolder will also see vast improvements in speed and efficiency. The enhanced
wireless support in Darkroom provides new workflow opportunities for all industry
photographers.

Darkroom v8.9 provides new state-of-the-art chroma-key algorithms that are smarter
and more accurate than ever before. The expanded drop-out adjustment tools give
photographers more precise advanced control, while easy-to-use presets allow for
a fast and efficient greenscreen workflow.

For complete details please visit http://www.expressdigital.com/products/epsdarkroom.shtm

ExpressDigital Darkroom v8.9 is immediately available for purchase. The retail
prices are as follows: Darkroom Core Edition - $495, Darkroom Professional Edition
- $1395, Darkroom Assembly Edition (Plus 6 hours phone training) - $2995, Darkroom
Assembly Edition (Plus 2 days on-site training) - $4395. Upgrade pricing is also
available.

http://www.expressdigital.com/

credits: Shutterbug

Photo of the day:


Miscellaneous: yellow fire hydrantMiscellaneous:
Yellow Fireplug - a welcome add-on to my ever growing
Fire Hydrants Photo Collection




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