Join The Pixel Conference

Pixels is the Photoshop conference for designers. Find out how to use Photoshop in your real world environment.
Click Here to Enter and Win a 3 Day Conference Pass!
Pixel ConferenceThe Photoshop Conference for Designers!If you're a creative professional, you rely on pixels -- those building blocks of every Photoshop image. Isn't it time you learn how to harness the power of pixels? The Pixel Conference is about real world pixel-control: From industrial-strength tonal and color correction to preparing your images for both print and Web output.The Pixel Conference focuses on how professionals get their work done -- high quality and high productivity. Leave the wacky special effects at home and take some time to master Photoshop's powerful utility features at The Pixel Conference. At the Pixel Conference we only focus on the issues/topics that pertain to designers!Bonus: Day Two of The Pixel Conference overlaps with The Vector Conference (www.VectorConference.com), with special sessions on using pixels inside Adobe Illustrator; using vectors inside Photoshop; and how to maintain the highest quality when mixing pixels, vectors, and type.Come to both conferences and save a bundle!

more at http://www.barrycon.com/

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Photoshop Tutorial - 2 Steps to Enhance Shadows and Highlights

This Photoshop tutorial will show you an incredibly effective way to enhance shadows and highlights within your digital images. You can create very interesting effects by using more prominent levels adjustments, or create subtle effects by using more slight levels adjustments. This tutorial does everything in a non-destructive way, which allows you to tweak the shadows and highlights at anytime.

Shadows and highlights help add more drama to an image, which is a simple way to bring the viewer into the image. The perceived dimension in the image is also heightened as the shadows and highlights are increased.

Step 1: PreparationDownload the starting image of Katie Holmes here. Open your image and then duplicate the image layer by pressing ctrl (command) + j on the keyboard. Set the blend mode for this duplicate layer to color. Next, select the layer below the duplicate in the layers palette.

Then continue as published here: http://www.tipclique.com/tutorial/photoshop/photoshop-tutorial-2-steps-to-enhance-shadows-and-highlights/


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Your favorite photo could be worth $10,000!!

The International Library of Photography was founded to provide a vehicle for amateur photographers to gain exposure through publication of their photos in our hardbound anthologies and on our Internet site (www.picture.com).

"Our philosophy has always been that photography is a form of artistic expression that is shared and enjoyed by many people, and should be available to everyone.
The International Library of Photography sponsors open amateur photography contests and online contests several times yearly. Thousands of people enter our contests. Each year, approximately 400 contest entrants win cash prizes and 1,200 win gift prizes. There is an Annual Grand Prize of $10,000.00. Each individual contest awards a $1,000.00 Grand Prize, forty First Prizes of gifts with a retail value of at least $35.00, four in each category and seventy-three Second Prizes of gifts with a retail value of at least $25.00 each without regard to category. Duplicate prizes are awarded in case of ties. Every day, we also award two $50.00 puzzle prizes for a total of 730 additional prizes each year. The International Library of Photography offers the world’s largest prize fund available to amateur photographers. Over the past five years, our organization has awarded over $75,000.00 in cash to amateur artists throughout the world.
Our anthologies are distributed internationally. All our books are registered with the Library of Congress and are available for order through retail and online bookstores and libraries (the title and ISBN numbers are needed to place an order with a bookstore). Photographers retain all rights to their photographs."
The International Library of Photography is now the largest publisher of amateur photography in the world.
Enter the International Open Amateur Photography Contest for your chance to win the Grand Prize of $10,000.00!
Click here to enter now.

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Jewelry Photography Tips: Part #1 Lights (photofloods)

Lights (photofloods) The kind of lights and lighting that I recommend for our drop shadow system are photofloods (type B). You can buy these bulbs at many photo stores but you should shop around: prices vary from 2 dollars to 10 dollars per bulb. They are a pretty standard item in photo stores that sell to professionals. Tell the camera store staff you will be using tungsten film.
They are mounted in clamp - on lights, such as you might find at a hardware store, where there's a spun aluminum bell and a little clamp - on part to the light socket. The best quality ones have ceramic sockets, so you should try and find ones with ceramic sockets if at all possible. The plastic socket kind can overheat, their switches tend to wear out and they are usually not rated for the high wattage used in photoflood bulbs - which makes them both dangerous and probably illegal in the event of a fire.
We will use three main light sources for our system: two 250 watt bulbs and one 500 watt bulb. The 500 watt one is above the shooting surface and the 250 watt ones are above and on the sides. I recommend buying at least four of the 250 watt bulbs and three of the 500 watt bulbs and having that many on hand most of the time. It can be very frustrating to burn out your last bulb in the middle of an important photo shoot and not have a replacement on hand. We will be using three lights for our system and that will serve us very well most of the time. When you handle and change the bulbs use a clean cloth like a handkerchief or cotton gloves like they sell in camera stores. Grease traces on the bulb can apparently sometimes contribute to bulb failure (note that if you ever change halogen slide projector bulbs you should treat them the same way).
Remember to shut off any other sources of light when you are shooting as incandescent bulbs or fluorescent bulbs nearby can affect the colors you get in your photographs. Tungsten films do not react well to other types of lights being on at the same time when you take photographs with them.

Full article here: http://usjol.com:80/news/issue3/tips_p1.html
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10 Steps for True Colors in Photoshop

By Brad Hinkel
"Here is my 10 step program for setting up your color management system. I like teaching color management through these steps, since most of the concepts are taught alongside specific tasks. If you perform each of these tasks, you should have a color management system that functions well.

Pick a Color Space
Colors in the computer are not simply defined by values of RGB (Red, Green & Blue). A color space is required to define the specific colors represented by a set of RGB values. Most users pick either sRGB (easier) or AdobeRGB (harder) for their color space.

Get a Good Monitor
Your monitor is the essential tool to ‘see' the image that is stored inside your computer. A poor quality monitor merely displays poor quality images. This does not have to be an expensive option, since there are a number of good monitors available for around $200. But before plunking down the dough, there are options for testing your system.

Create a Good Work Environment
The most commonly skipped step in setting up a digital darkroom is also one of the easiest: create a good work environment for evaluating and editing color. You need to configure your computer desktop to be as gray as possible. Remove distracting colors from your environment and get a good light for evaluating prints.

Calibrate and Profile Your Monitor
Even the best monitor still needs to be setup properly to produce the best possible colors. Calibration involves properly setting up your monitor to display colors. Profiling both measures and corrects the specific color errors for your individual monitor. A well-calibrated, well-profiled monitor produces a very good display of the images from your computer.

Get a Good Printer
Your printer is the tool you use to create your final printed product (unless you are only making images for the web). Most modern desktop printers produce excellent results. And online printing services are also available to create excellent prints. I recommend you start with your existing printer or an inexpensive desktop printer for your digital darkroom. There are many excellent professional printer choices you will eventually consider once you have some experience with digital fine prints.

Create Basic Prints – Have the Printer Driver Manage Color
The basic printing option is to print using the built-in options in the printer driver software that came with your printer. For many printers, this is an excellent and easy option. Online printing services are also very easy to use. These basic printing options are limited in terms of the papers that you might use for printing, but are a very good place to start and suffice for the majority of photographers.

Test Your Color Management System
Once you have all the basic steps completed, test out the various elements - software, monitor & printer - using a set of standard test images.

Create Advanced Prints – Manage Color using Printer Profiles
The limitations of basic printing can be overcome if you manage the color of your images yourself by printing with printer profiles. Primarily, you can improve how precisely your monitor and print match and you can usually print to access the full range of colors available to your printer.

Obtain Profiles
In order to print with profiles you need to obtain profiles that are specific to your printer and the paper type on which you want to print. Profiles can be downloaded over the Internet, made by professionals or you.

Adjusting Colors for Advanced Printing
If you want to go through the additional steps for printing with profiles, I suggest you also carefully adjust your colors for the best possible print."

full article: http://www.imaginginfo.com/article/article.jsp?siteSection=49&id=2243

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A Fresh Look at Photoshop

Brad Hinkel buzzes passionately into his cell phone about his latest project as the snow crunches beneath his feet on Microsoft's campus in Redmond, Washington. He seems oblivious to the blistering cold January day.
An "experimental" photographer, Photoshop expert, teacher and software designer, Hinkel has just published his third book on digital photography.
"Color Management in Digital Photography: 10 Easy Steps to True Colors in Photoshop," recently published by Rocky Nook, tackles what is perhaps the most confusing subject when is comes to photographers learning Photoshop: getting true color. At just 100 pages, the thin book has had its critics. They say color management can't be taught so easily. But Hinkel prides himself on the tome's svelteness and argues that "simpler is usually better."
"[It] should be easier [to learn] than it is. It should be enabling, not difficult," he said.
The key to making color management simple is understanding what color space is and redefining it a little, he added. "This is the single most important lesson for pros." (See chapter on Color Spaces at easycolormanagement)
He discourages the use of AdobeRGB for everyone. "This setting just makes things more difficult for most photographers," Hinkel said. "If you don't worry about that, suddenly everything becomes easier."
For most, sRGB makes life much easier and most computers default to the Adobe setting anyway, the author said.
"These classic values [RGB] have more to do with the internal technology than it does with the actual work of photography," he said.
The book is based on classes and workshops Hinkel has taught to hundreds of students over the years at the Rocky Mountain School of Photography and the Photographic Center Northwest. At the dawn of digital Hinkel was hired by Rocky Mountain to help create the school's original digital photo program. This gig eventually led him finding his second calling and becoming an author.
"My digital experience was really in sync with my computer expertise," he said.
Hinkel, who uses a Nikon D1X in his own digital work and prefers snapping nature, has been working on computer graphics and software design for more than a decade. He spent nine years working in Microsoft's gaming division, creating video games and "playing" them as well. His most recognized work is Microsoft's Flight Simulator game, one of the best-selling computer games of all time.
As interface designer of the game, he had to take flying lessons to insure the "user experience" was accurate. "That was a real useful tool for me," he said.
After teaching for many years, Hinkel recently rejoined Microsoft as a project manager. His new role overlaps with his love for Photoshop as he's looking to create a "next-generation software for designers; using a new definition and new ways of looking at design."
When he's not playing with digital he loves shooting landscapes with pinhole and large-format cameras but often ends up using a digital back.
A renaissance man of sorts, Hinkel has been able to bridge his depth of technical knowledge to a simple way of communicating difficult software to artists who'd rather be creating something else.
"Many photographers don't really want to learn this. It does not touch them as an artist. Their cameras are the only technology they are willing to learn because it supports their aesthetic. That's why teaching them to learn in a simple way really resonates with me."
For more information and to download the chapter on "Step1: Select a Color Space" visit Hinkel's book-related Web sites at:
http://www.easyguidetophotoshop.com/
http://www.easycolormanagement.com/
http://www.digital-negatives.com/

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Photo exhibit showcases early years of D.C. punk

The punks have reclaimed Georgetown - at least temporarily. Until March 3, Govinda Gallery's hole-in-the-wall, 34th Street location offers punk enthusiasts a nostalgic sanctuary from the District's snow-covered sidewalks.
Candid, mantle-worthy portraits of Henry Rollins and Ian MacKaye, strategically stuck to the walls with masking tape in punk's minimalist style, survey the sundry smaller squares that capture their combat-boot-clad compatriots.
The exhibit runs concurrent with the release of a book by the same title, "Punk Love." Both showcase photographer and AU alumna Susie J. Horgan's pictures chronicling the birth of the D.C. punk movement.
"It was a pure time for all of us," Horgan said, considering the historic context of her work. "Things were just sort of taking off and beginning. I feel fortunate to have been part of it.
"More than a quarter century ago, Horgan walked into a Georgetown Haeagen-Dazs looking for a job and a few friends, and instead she found a career. Rollins, 20 years old and the shop's manager at the time, hired her and put her behind the counter that day. Horgan worked there for a year with Rollins and his friend MacKaye, then just 19 years old, while taking a photography class at AU.
"It was the only photography class I ever took," Horgan said. "But I was very interested in the arts. I was a visual media major.
"She often brought her camera to work and captured her co-workers keeping boredom at bay during lulls in the workday. Over the year, the three became close friends, a friendship that continues today. In fact, Rollins wrote the foreword to "Punk Love" while MacKaye contributed a transcribed interview with Horgan about her work.
"They were my friends," Horgan said of Rollins and MacKaye. "They were musicians and they would do me favors, pose for my assignments.
"Surprisingly, the endearing photographs of a now-typically serious Rollins and politically-minded MacKaye, goofing off in the ice cream shop's freezer and skating behind Horgan's apartment were done for class, some while Horgan was still mastering the mechanics of her new camera.

credits: Hilary Crowe www.theeagleonline.com

http://www.ct-graphics.com/scenery-sights/lake-havasu-2593.html
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Welcome to the carnival!

This blog carnival is all about pictures.

http://pointsoflight.blogspot.com/2007/02/welcome-to-carvival.html

Life rushes by us all in a torrent of moments. Taking a photograph is nothing more than capturing one of those fleeting moments as it goes by. It’s taking a handful of water from a fast running stream. Look into it closely enough and you can see yourself.
Many thanks to all of those who shared their preserved moments for this photography carnival. Special thanks to The Success Coach at For Your Success for sponsoring the carnival.
Thanks also to Kilroy_60 for getting this entire series of carnivals started. It’s been a pleasure acting as your host.Take some time to visit each blog listed below and be sure to let them know you saw their posts on the GONZO Photography Carnival.
So without further ado, here are the moments of time you’ve chosen to share:
The Success Coach at For your Success sends us Picture Your Business Being More Successful.
Kilroy_60 at Fear and Loathing – The Gonzo Papers shows us the fiery end of the day with My Most Recent Sunset Safari.
Phil J at Feelingstoopid shares some gifts courtesy of his friends with his post What I Won
Brian at Truth Is Freedom shows us the power of the seas in Spin Cycle.
Jules at Crewe Blog sends this photo, right, of himself vintage 1995 – Jules Away at Oxford.
Alicia Poon at Penning by Photographs shares this photo of Eric.
Naomi at Diary From England shares some very special Happy Childhood Memories.
JAM at Least Significant Bits offers a look at a special person and places in Picture Post, Sunday November 5, 2006.
Anthony at The Lives and Times of … Anthony McCune shares a photo of something you often hear about but very rarely experience in A True Story.
The Gatekeeper at Pieces of Me shares a picture and story of the special people in her life via her post Sweet Jungle Romance.
Heather at Beautiful British Columbia gives us a glimpse of someone special … HUGO the Cool Dude!
Janey Loree at Mustang ‘n’ Cowboys shares her love of horses and the two men in her life with her post, Mustang ‘n’ Cowboys.
Eric at Eric Has Issues takes us back to the Christmas holiday with Day 25: Merry Christmas.
NMOTB at New Mom on the Blog shares a side of her that her husband seems to appreciate in Silly Photo Courtesy of Mr. NMOTB.
Gheorghe Milas at emilas.com treats us to a view of a young Ice Skater.
Allen Steadham at Interrace Haven presents a series of wintery shots with More Pictures from Ice Central.
Friday’s Child at Friday’s Child offers a trio of photos in My Little ‘Chopin.’
Cedarwaxwing at Clutch Cargo Lips gives us a candid look at her brother-in-law in her post, David.
Don’t stop here! There’s another blog carnival going on today – The GONZO Poetry Slam at Poets Who Blog. Be sure to check it out!

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A few scanning tips

The purpose is to offer some scanning tips and to explain the basics for photos and documents. It is about the fundamentals of digital images, about the basics to help you get the most from your scanner. How it works, for those that want to know.
Included here are the general questions that we've all asked about digital images, but unfortunately, that other sources don't answer. The material is about the basics, and is appropriate for the beginner. The content is certainly not superficial, but it is not at all difficult either, it is just simply about how it works. It describes in plain language the things we need to know to be efficient and get the most from our images, in the various ways that we can use them.
The material was written about scanning, but most of it is a basic primer on digital images in general, applicable to images from digital cameras too. This material is intended for home and hobby users, and is not concerned with commercial prepress.
Many newbies want to scan a photo at the greatest possible resolution. We'll explain why that's the wrong answer, with tips about how to choose a more appropriate answer. That and many other scanning basics are covered here, and it's intended to be a fast jump start to aid newcomers to graphics and scanning. Scanners are easy and fun and very useful, and there's lots of artistic creativity possible too. There will be a little scanning technique to learn, but when you've seen it once, then it's rather simple.

Let's get started with Scanning 101 - The Basics:

http://www.scantips.com/

http://www.ct-graphics.com/architecture/skyline-manhattan-2592.html
http://www.ct-graphics.com/wildlife/page4.html


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Photojournalism Class Keeps Kids From Falling Through Cracks

Kids sift through hundreds of pictures to organize them. Others scroll through photos on computers. Two clean cameras.
It's 11 a.m. on a recent Saturday morning, and these students are hard at work inside a west Charlotte community center. They are part of the West Boulevard Photojournalism project, which means Saturdays are spent working with instructor Mark Pendergrass not bored at home with little to no supervision or hanging out in the streets.
With the exception of vacation and illness, Pendergrass, 40, has spent every Saturday for the last five years teaching students ages 12-19 the basics of photography. Those are Saturdays he could have been home with his wife and daughters. Instead, he's out of the door by 8 a.m. picking up kids.
"If I'm not there, I know these kids won't have anything to do that Saturday," said Pendergrass, who works as a business systems consultant for Wachovia.
In my first That's Wassup! column, I promised to occasionally spotlight hip-hop generation African Americans who help black youth aspire to be more than rappers, dancers, athletes, thugs or golddiggers. Pendergrass is one such individual.
He grew up in Harlem, N.Y., and says an after-school photo project was one of the things that helped keep him off the streets. He majored in photojournalism and became a freelance photographer for magazines such as Jet. Pendergrass wants the West Boulevard Program, supported by the YMCA, to give Charlotte youth the same outlet photography gave him.
Our kids need all of the help they can get. Not enough parents do their jobs, and schools can't do it alone. It's the bad news about our youth that gets the most attention. For example, early Sunday morning, 17-year-old Travis Moore, a B student with dreams of going to UNC Chapel Hill, was shot and killed at a party. He sounded like a good kid. Now, he's a statistic.
In January, the Observer reported that nearly 1 in 3 people accused of robbery in Charlotte last year was under age 18. The suspects ranged from high school dropouts and drug abusers to straight-A students and athletes.
These kids are falling through gaping holes in the school system and in our community safety net. Pendergrass tries to keep them from the self-destructive behavior that steals so many teens' lives.
"That's my childhood," Pendergrass said. "I'm that kid who didn't have a whole lot to do and had to find a program that could keep me out of trouble."
Pendergrass works to keep students involved. When his students don't have ride, he picks them up from their homes or a central location. He calls during the week to make sure they plan to attend Saturday's meeting. He talks to them about their grades and behavior in school.
He has 22 students registered with the program and typically works with 5 to 10 kids on any given Saturday. He teaches them how to use manual 35mm cameras, digital cameras and editing software.
In addition to archiving pictures, they shoot everything from YMCA activities to -- occasionally -- celebrity events, such as Chris Brown's concert at Verizon Wireless Amphitheatre last summer and the Venus and Serena Williams exhibition at Bobcats Arena in December. The students will also shoot events for the CIAA next week.
Of course, the students love taking photos of celebrities the most, but Pendergrass stresses the importance of meeting local professionals as well because it exposes them to new careers.
Two students who participated in his program have graduated from high school and are currently in college. They're on a path to become something other than a negative statistic.
They're the reason Pendergrass spends every Saturday at a west Charlotte community center instead of at home with his family.
If you have any camera equipment you can donate to the program or want more information contact Mark Pendergrass: 704-965-2872.

credits: Tonya Jameson
The Charlotte Observer, N.C. and
http://www.imaginginfo.com/article/article.jsp?siteSection=3&id=2323



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