Showing posts with label Colorado wildflowers. Show all posts
Showing posts with label Colorado wildflowers. Show all posts

Thursday, April 10, 2008

Photographers Denied the Freedom To Choose What They Photograph

Elaine Huguenin co-owns Elane Photography with her husband. The bulk of Elane's work is done by Elaine, though she subcontracts some of the work some of the time. Elane refused to photograph Vanessa Willock's same-sex commitment ceremonies, and just today the New Mexico Human Rights Commission held that this violated state antidiscrimination law. Elane has been ordered to pay over $6600 in attorney's fees and costs.

I haven't seen any written statement of reasons, but the order must implicitly rest on two interpretations of state law: (1) This sort of photography company constitutes a "public accommodation," defined by state law "any establishment that provides or offers its services, facilities, accommodations or goods to the public, but does not include a bona fide private club or other place or establishment that is by its nature and use distinctly private." (2) A refusal to photograph a same-sex commitment ceremony constitutes sexual orientation discrimination, which New Mexico law forbids. These may or may not be sensible interpretations of the statutory text. But the result seems to me to likely violate the First Amendment (though there's no precedent precisely on point).

Photography is an art, and Huguenin is an artist. It may not be high art, but it embodies a wide range of artistic choices (especially since she says she takes a "photojournalist" approach, rather than just doing normal staged photos). And though she sells the art to its subjects, that is of course part of a long and continuing tradition in the arts, including painting and sculpture, as well as photography. Certainly many of the works protected by the First Amendment (books, newspapers, movies, and the like) were created for money and distributed for money.

Yet the New Mexico government is now telling Huguenin that she must create art works that she does not choose to create. There's no First Amendment case squarely on point, but this does seem pretty close to the cases in which the Court held that the government may not compel people to express views that they do not endorse (the flag salute case, West Va. Bd. of Ed. v. Barnette, and the license plate slogan case, Wooley v. Maynard).

For whatever it's worth, Huguenin also says she exercises political judgment in deciding what to photograph (for instance, she reports that she refuses to make photographs that put horror films in a positive light, or to take photographs that positively portray abortion, pornography, or nudity, as well as same-sex marriage). I don't think that sort of political selectivity should be required for photographers to be protected as artists, but it seems to me to highlight the scope of the artist's judgment, and the artist's constitutional right to exercise such judgment (just as a bookstore has the right to choose which books to stock).

Consider also a hypothetical analogy: Say that instead of Willock's trying to hire a photographer, Willock was trying to hire a solo freelance writer (or a writer in a two-person freelancing partnership) to write materials for Willock's (hypothetical) same-sex marriage planning company. The writer refused on the grounds that she didn't want to promote such a company.
I take it the law would cover the writer as much as it would cover the photographer (why wouldn't it?). Yet wouldn't requiring writers -- even writers of press releases and Web sites -- to write words that express views they reject violate the First Amendment? And if not, what's the difference between that and requiring photographers to take photographs that implicitly but strongly express views they reject? (Wedding photographs, of course, express views celebrating the event being photographed.)

More about the issue at: volokh.com

and Related Posts (on one page):
Right To Choose Which Photographs You Create:
The ACLU and the Elane Photography Case:
Religious Exemptions and the Elane Photography Case:
Legal Requirements That You Write Things or Create Photographs:
First Amendment and Photography/Writing/Publishing/Book Distribution for Money:
Religious Accommodations and the Elane Photography Case:

Photo of the day:
Wildflower Photography - Blooming Globe Flower ColoradoColorado Wildflowers
Blooming Globe Flower


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Tuesday, February 05, 2008

Tamron Announces Ultra-Wide and Tele-Macro Zooms

The 10-24mm zoom is designed to work with DSLRs that have APS-C-size sensors, while the 70-200mm lens can be used on any digital SLR with a compatible mount.
By Aimee Baldridge February 4, 2008

Click to see enlarged views of Tamron's new ultra-wide and tele-macro zoom.

Tamron has announced the development of two new lenses. The SP AF10-24mm F3.5-4.5 Di II LD Aspherical (IF) is designed for use with digital SLRs that have APS-C-size sensors, while the SP AF70-200mm F2.8 Di LD (IF) Macro can also be used with full-frame DSLRs. Both lenses have internal focusing mechanisms and will be available with Canon, Nikon, Pentax, and Sony mounts.

The SP AF10-24mm F3.5-4.5 Di II LD Aspherical (IF) incorporates an HID (high index/high dispersion) element and two LD (low dispersion) elements to minimize chromatic aberrations, as well as a molded-glass aspherical element and three hybrid aspherical elements to further reduce optical flaws. Tamron also says that the lens design minimizes peripheral light fall-off, and that the lens uses newly developed internal multiple coatings to reduce flare and ghosting. The lens has a minimum focus distance of 0.8 feet throughout its zoom range, a maximum magnification ratio of 1:5.1, and an f/22 minimum aperture. It takes a 77mm filter and comes with a flower-shaped hood.

The SP AF70-200mm F/2.8 Di LD (IF) Macro has a minimum focus distance of 3.1 feet throughout its zoom range, a maximum magnification ratio of 1:3.1, and an f/32 minimum aperture. It incorporates three LD elements and internal multiple-layer coatings. The Canon and Nikon versions of the lens have a switch on the barrel for quickly changing between autofocus and manual focus. The lens takes a 77mm filter and comes with a flower-shaped hood and a removable tripod socket. The new lenses are expected to be available later in 2008. Pricing has not yet been announced.

more from By Aimee Baldridge at popphoto.com/
and
Tamron Press Release for SP AF70-200MM F/2.8 DI LD (IF) MACRO
Tamron Press Release for SP AF70-200MM F/2.8 DI LD (IF) MACRO

Picture of the day: Shaggy Fleabanes from the series Colorado Wildflowers



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Sunday, December 02, 2007

Go digital this year

Before shopping, understand what you want and need in a high-tech camera
Digital cameras are one of the season's hottest stocking stuffers

The good news: Prices are down, and shoppers have an array of colors, sizes and styles to choose from.
The bad news: Like most gadgets, digital cameras are laden with all sorts of hairy-scary techno-terms, such as megapixels and optical image stabilization.
Many are so complicated, it's hard for wannabe shutterbugs to imagine venturing away from the land of automatic settings.

"I don't think camera shopping has ever been nearly as challenging as it is today," said Tom Dorian, co-owner of Don's Camera in Olympia.
"The changes that have taken place in the last five years are bigger than any change I've seen in the 20-plus years that I've been in this business."
Digital photography 101

Freelance photographer Barbra Kates of Yelm teaches a series of classes through Timberland Regional Library that covers everything from buying a digital camera to using photography software for enhancements, prints and online publishing.
The classes are extremely popular and usually fill up within a few hours of registration.
Kates' main audience: older people who aren't technologically adventurous.
"It's that gang of people that are afraid of the VCR remote control," she said.
Kates - who specializes in documentary, travel and underwater photography - began teaching digital photography a few years ago aboard Princess Cruise ships.
"People would show up on the ship with brand new cameras in boxes and not know how to use them," she said.

Start with research
Before heading out to the store, Kates recommends coming up with a game plan: Figure out what the camera will be used for, learn the industry jargon and research online to compare different models.
Once at the store, try several different brands and styles. Don't just browse and compare prices - ask a salesperson to insert a battery and memory card and start clicking pictures, Kates said.
It's important to make sure a camera feels right - that the buttons aren't too small for your fingers or the menu screen isn't hard for you to navigate.

One of the biggest mistakes is buying "too much" of a camera.

Read Lisa Pemberton's full article at The Olympian

Picture of the day:
Blue Flax (2735) from the Colorado wildflowers series

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